Main Facts
Nestled along the delicate transitional boundary where the bustling urban sprawl of Mohali meets the tranquil, pastoral rhythms of Chunni Kalan village, Sukoon House stands as a profound architectural meditation on memory, identity, and spatial harmony. Designed by the innovative practice tubb, this striking residence occupies a prime 30-foot by 75-foot, park-facing plot that serves as a physical and symbolic threshold between two distinct worlds: the fast-paced, high-density realities of modern Indian city life and the grounded, communal warmth of traditional rural existence.
Commissioned by a couple whose formative years were rooted in village life—and whose hearts and values remain steadfastly tied to those rural origins—Sukoon House was conceived not merely as a shelter, but as a deeply personal narrative built in brick, wood, and light. The project’s defining ethos is anchored in its very name, Sukoon, an Urdu and Punjabi word translating to deep peace, tranquility, and inner calm.

Photographed extensively by the renowned architectural photography duo Suryan Saurabh, the residence reveals a sophisticated material palette dominated by warm exposed brick, rich natural timbers, and porous spatial planning. The home spans multiple levels, balancing the owners’ desire for contemporary urban conveniences—such as efficient spatial zoning, climate responsiveness, and modern amenities—with spatial archetypes borrowed from traditional Punjabi vernacular architecture, including central courtyards, threshold verandas, and porous boundary walls that invite the surrounding community and nature inward.
Chronology of the Project
The realization of Sukoon House was a deliberate, highly considered process that unfolded over several phases, reflecting a careful alignment between the architects’ vision and the clients’ deeply personal brief.

- Phase 1: Conceptualization and Brief Development (Early Pre-Design):
The journey began when the clients approached tubb with a distinct challenge. Having lived through the transition from rural upbringings to urban professional lives, they felt alienated by the sterile, inward-looking nature of standard suburban housing developments in Mohali. They wanted a home that felt "breathing" and alive. The initial design sessions focused on translating abstract concepts of rural nostalgia—such as sitting on a manji (traditional woven cot) under a neem tree or gathering around an open courtyard—into a tight 30×75-foot urban footprint. - Phase 2: Site Analysis and Zoning (Design Development):
The architects conducted a rigorous site study, capitalizing on the plot’s unique park-facing orientation. Recognizing that the front elevation would interact directly with public green spaces, tubb structured the zoning to maximize visual connectivity with nature while retaining domestic privacy. Service areas and private family quarters were strategically anchored, leaving the core of the house open to vertical light wells and courtyards. - Phase 3: Material Sourcing and Structural Engineering:
A critical milestone in the project’s timeline was the selection and local sourcing of materials. Eschewing sleek, monolithic concrete or glass facades that dominate contemporary Indian urban architecture, tubb opted for regional brick masonry and sustainable woodwork. Masons worked on-site to execute intricate brick-jalis (perforated brick screens) that filter harsh Punjabi sunlight while allowing cooling cross-breezes to sweep through the interiors. - Phase 4: Construction and Craftsmanship:
The construction phase emphasized local artisanal craftsmanship. Bricklaying techniques were treated as expressive surfaces rather than just structural necessities. Carpentry details—incorporating reclaimed and sustainably harvested wood—were custom-built to evoke the warmth of traditional rural homesteads (havelis). - Phase 5: Completion and Photography (Published September 2026):
With the final interior styling complete, Suryan Saurabh captured the project, immortalizing the interplay of morning and evening light cascading across the brick walls and timber accents. The project was officially released to the architectural world, drawing critical acclaim for its sensitive approach to contextual architecture.
Supporting Data and Technical Specifications
To fully understand the architectural achievement of Sukoon House, one must examine the metrics, spatial parameters, and material strategies that govern its design:
- Project Name: Sukoon House
- Architecture Firm: tubb
- Site Dimensions: 30 feet by 75 feet (approx. 2,250 square feet footprint)
- Site Context: Urban-rural transition zone, park-facing, Mohali, intersecting with Chunni Kalan village.
- Completion Date / Publication: September 2026
- Primary Photography: Suryan Saurabh
- Primary Materials:
- Locally sourced exposed clay brick (providing thermal mass against Mohali’s extreme seasonal temperature fluctuations).
- Natural timber and wood accents (used for flooring, custom furniture elements, and ceiling detailing to introduce organic texture).
- Perforated brick screens (jalis) for passive solar shading and natural ventilation.
- Spatial Typology: Single-family residential, multi-level layout incorporating transitional thresholds, courtyards, and indoor-outdoor integration.
Official Responses and Design Philosophy
In their official design statement, the architects at tubb elaborated on the philosophical underpinnings of Sukoon House, emphasizing that modern architecture in rapidly urbanizing regions like Punjab must not blindly copy Western or metropolitan paradigms.

"Sitting where Mohali’s urban edge meets the village of Chunni Kalan, the house sits on a 30′ by 75′ park-facing site," the architects noted. "Built for a couple who grew up in a village and remain tied to rural values, the design consistently sought to bridge traditional Punjabi ways with contemporary urban living."
According to tubb, the primary challenge of the project was avoiding the psychological confinement often experienced in standard urban plots. By utilizing the park-facing frontage as an extension of the living space and introducing vertical voids that draw the sky into the center of the home, the design team successfully dissolved the boundaries between inside and outside.

Furthermore, the clients expressed immense satisfaction with how the house manages to honor their heritage. In informal reflections shared with the design team, the homeowners noted that despite being located in an increasingly dense urban corridor, stepping into Sukoon House evokes the exact feeling of openness, serenity, and community connection they experienced during their childhoods in the countryside.
Implications for Contemporary Urban Architecture
Sukoon House arrives at a crucial juncture in Indian urban development. As tier-2 and tier-3 cities like Mohali experience explosive, often homogeneous real estate booms, traditional architectural vernaculars are frequently erased in favor of generic glass-and-steel boxes ill-suited to local climates.

1. Climate Responsiveness vs. Glass Facade Culture
The heavy reliance on exposed brick masonry, thermal mass, and operable brick jalis at Sukoon House serves as a powerful rebuttal to the energy-hungry, air-conditioning-dependent glass architecture proliferating across modern Indian suburbs. By utilizing time-tested passive cooling strategies, tubb demonstrates that vernacular techniques can be reinterpreted for modern lifestyles to drastically lower energy consumption while enhancing thermal comfort.
2. Preserving Cultural Identity in a Globalized World
As rural populations migrate to urban centers, there is often a cultural dissonance reflected in domestic spaces that feel detached from familial roots. Sukoon House proves that contemporary luxury does not require the abandonment of cultural identity. By embedding rural values—such as communal gathering spaces, porous transitions, and tactile, earthy materials—into a modern urban envelope, the project offers a blueprint for how families can honor their past while embracing the future.

3. Redefining Urban Density Boundaries
On a relatively modest 30×75-foot plot, many architects resort to maximizing built-up area at the expense of light, air, and mental well-being. tubb’s spatial choreography shows that intelligent planning, strategic void placement, and engagement with adjacent public landscapes (such as the park opposite the site) can make a narrow urban footprint feel expansive and deeply connected to nature.
Ultimately, Sukoon House by tubb is more than a successful residential commission; it is a manifesto for sensitive, context-driven design. It reminds architects, developers, and homeowners alike that true architectural sukoon—peace—is achieved when a building listens carefully to the land it occupies and the people who call it home.

